Creative economics for a creative world: a comment

Creative methodologies for understanding a creative industry

Objectives The production of innovation or novelty in creative interactions is normally represented in research either as normative patterns of behaviour (being creative) or as post-hoc empirical objects (new firms, new products etc.) The structure of creative practices, i.e. what particular forms of interactivity produce successful novelty (i.e. which becomes ‘normal’ and not novel, which crea...

The economics of creative consumption

The consensus view is that economists should observe consumer choices and abstain from investigating the psychological and physiological causes of wants, or the mechanisms governing the formation of preferences. This may be a correct procedure as far as ordinary functional goods are concerned. Problems tend to arise with creative goods (e.g. cultural goods) that share two common features, namel...

The role of creative economics in entrepreneurship and revenue generation of public libraries: A systematic review

Purpose: The present study was conducted to identify the status of research on entrepreneurship and income generation in public libraries with a focus on creative economics. Method: The present study is a systematic study. The statistical population of this study was all the researches done in the field of creative economy in public libraries that have been published in connection with entrepr...

A Feasibility Study of Creative Economics in Public Libraries: Using Grounded Theory Method

Purpose: Libraries as social institutions have an indispensable role in meeting the educational and cultural needs of society. However, the economic downturn has increasingly increased the costs of library services, and consequently, limited them in implementation of the programs. Creative economics is a shortcut to making money through art, culture, and science that can partially solve the pro...

Creative Analysis: Psychohistory in a Troubled World